Here are a few highlights:
No audition. That’s the kind of cool thing about where I’m getting to right now; I’m starting to get a kind of a body of work. And you put scenes from films you’ve done, and of course there’s some stuff on there from “Stargate.” Sometimes that won’t book you a job, but it can at least get your feet in the door and give a director of an idea of what you look like on a set under lights as opposed to in an audition room, which is usually an office with florescent lighting.
I think what they wanted to do with this version of “Murder on the Orient Express” is to tell the story that Agatha Christie wrote; and not just that, but to really get into the darkness of it. It’s a very dark, dark story … And just to really explore the psychology of that kind of a person.
I know one line of French. And it’s funny, no one can really tell me exactly what that translated into either because I have a vague idea that it meant something like, “No, it’s OK, there’s nothing here.” Or, “Everything’s fine,” something like that. But it was a little bit scary because there were a lot of French guys in the cast and they’d hear me say the line and they’d say, “Brian, no. This is how you say it.” So I was kind of nervous about it.
You know with Scott though, he’s so strictly working class and so strictly defined by the absence of family … In MacQueen’s case, you have a guy who grew up with everything, who had every single advantage and got to travel and could speak many languages and he’s a lot more eloquent than Scott is, but then he lost it all. And I think Scott is driven more by a need to find redemption and MacQueen is much more driven by a need for revenge.
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Murder on the Orient Express premieres Sunday, July 11, at 9 PM ET on most PBS stations across the US. Check your local listings for dates and times in your area.
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