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"Rob, who’ll be doing the honors on this one, pitched out a terrific, albeit radically different, A story to compliment the B, C, D, and E throughlines. Lots going on in this one – action, drama, spectacular visual effects, and a tough, tough decision. Two actually." — Joseph Mallozzi, November 3, 2009<br /><br />{{EpNavLine|epname=SGU 2.02 "Aftermath"|ratings=0|poll=0|wallpapers=0|screencaps=0}} | "Rob, who’ll be doing the honors on this one, pitched out a terrific, albeit radically different, A story to compliment the B, C, D, and E throughlines. Lots going on in this one – action, drama, spectacular visual effects, and a tough, tough decision. Two actually." — Joseph Mallozzi, November 3, 2009; "I also found the time to join my fellow producers in taking in a matinee double-feature: ... Will Waring’s kick-ass director’s cut of Rob Cooper’s equally kick-ass script for Aftermath (in which actor Louis Ferreira delivers his best performance yet in a suspenseful, absorbing, emotionally-draining episode)." — Joseph Mallozzi, April 21, 2010 <br /><br />{{EpNavLine|epname=SGU 2.02 "Aftermath"|ratings=0|poll=0|wallpapers=0|screencaps=0}} | ||
Revision as of 17:48, 16 May 2010
"Rob, who’ll be doing the honors on this one, pitched out a terrific, albeit radically different, A story to compliment the B, C, D, and E throughlines. Lots going on in this one – action, drama, spectacular visual effects, and a tough, tough decision. Two actually." — Joseph Mallozzi, November 3, 2009; "I also found the time to join my fellow producers in taking in a matinee double-feature: ... Will Waring’s kick-ass director’s cut of Rob Cooper’s equally kick-ass script for Aftermath (in which actor Louis Ferreira delivers his best performance yet in a suspenseful, absorbing, emotionally-draining episode)." — Joseph Mallozzi, April 21, 2010
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