Wright Talks Character Study in "Continuum"

Spoilers … Spoilers … Spoilers … and Spoilers….

Carter, Mitchell, and Daniel in Continuum

In an interview held recently in Vancouver, Brad Wright talked with Bryan Cairns at newsarama.com about some of the character arcs in his first made-for-video movie Stargate: Continuum. “I like seeing characters forced to look at themselves in different ways,” he stated.

Writing Continuum gave Wright the opportunity to explore each of the SG-1 team members in a different light because it is an alternate timeline story. What if the Stargate Program never happened? Where would each of them be?

Each of the three team members who are aware of the change in the timeline—Carter, Mitchell, and Daniel—find that their lives were very different in their new reality.

Samantha Carter

Carter in \"Continuum\'

“I have Carter having been an astronaut that brilliantly sacrifices herself, as usual, and saving her crew,” Wright revealed about the Samantha Carter in the alternate timeline. The SG-1 team member had dreamed of being an astronaut before joining the Stargate Program, so this new timeline appears to be very close to the “original” one that was changed by Ba’al when he prevented the Stargate from ever reaching the United States from Africa.

Amanda Tapping described how Carter felt upon realizing her new situation in an interview with Dreamwatch. “We shot this scene two days ago with Beau Bridges where he basically says, ‘You are on your own and we are going to give you new identities and lives.’ That, for me, was probably the most telling scene of the movie. There is that element where we are left to our own devices and we can’t even contact each other. That is pretty scary – to be thrown into a world where you don’t know anybody and can’t even do what you love for a living.”

Carter’s adjustment is made even more difficult because her alternate self is supposed to be dead and was apparently quite famous. It was revealed in another article published by SCI FI WIRE that Wright wrote a scene in which Carter goes shopping in this new timeline. The context of this scene wasn’t revealed in the SCI FI WIRE article, but it could be meant to show how difficult it is for Carter to even do the simple tasks of daily living if she’s easily recognized as this dead astronaut.

Cameron Mitchell

Mitchell in Continuum

At least Mitchell can be seen in public without potentially being mistakened as his own doppelganger, because, as Wright revealed, “Mitchell doesn’t exist because I wanted to do the grandfather paradox literally for fun.”

In time travel stories, the grandfather paradox goes something like this: A Time Traveler goes back in time and kills his grandfather before the grandfather had any children. Thus, because the grandfather didn’t have any children, the Time Traveler wasn’t born; he doesn’t exist. If he doesn’t exist, then he can’t go back in time to kill his grandfather. Therefore, his grandfather is alive to have children and then grandchildren, including the Time Traveler. And so, it goes…

In Continuum, Wright revealed in a Gateworld interview that Mitchell’s grandfather was the captain of the Achilles, the very ship that Ba’al intercepted that was carrying the Stargate from Egypt to the United States back during the World War II era. It was Ba’al’s intention to detonate a bomb to destroy the Stargate. For Mitchell not to exist in this timeline, it is very possible that his grandfather dies when Ba’al boards his ship.

Wright revealed in the Gateworld interview, “Another heroic figure performs a heroic act of getting the bomb off the ship before it explodes and hence the ship just keeps going on the course it was when they were navigating their way, zigzagging across the Atlantic, and ends up lodged in the ice in the Arctic.”

Mitchell, Carter, and Daniel end up ‘gating into the frozen cargo hold of the Achilles, which starts their adventure in this alternate timeline on Earth. After their rescue and being told to go their separate ways to live new lives, Mitchell visits a farm that he knew as a child. Then, he is reunited with Carter and Daniel, but his fate apparently is left hanging as Wright told Gateworld, “I think the funny part of this movie is people go ‘That was fun,’ and then they start asking questions. ‘Wait a minute, then what happened to Mitchell … ?'” He also teased, “If this were a television series and Continuum was one of the episodes, oh yeah, there’s a whole bunch of stories that I’d like to tell. There’s an interesting period of time for Mitchell that could be a story all by itself.”

Daniel Jackson

Daniel in Continuum

What happens to Carter and Mitchell in this alternate timeline is quite serious, but Wright wanted to interject some of Stargate’s trademark humor into the story. He delightedly told Cairns about a scene involving Daniel, who has already suffered quite a bit by this point in the movie, but realizes that his alternate self is alive and has published his theories about the Pyramids.

“Daniel phones himself. That’s kind of a neat scene,” Wright explained. “Daniel reads his own book and phones himself. There is a moment when he picks up the book, wants to tell somebody, and turns it over to see his face. It’s a pretty funny face and that’s the sanest look he gave in the photo shoot.”

Apparently, Daniel, being his typical Daniel self, found a loophole in the rules about not contacting each other in their new lives…

To read the full interview, visit Newsarama: Writer-Producer Brad Wright Talks ‘Stargate: Continuum’.

Release dates for the movie (DVD and Blu-ray) are as follows:

  • July 29, 2008: North America
  • August 6, 2008: Australia
  • August 18, 2008: UK
  • September 10, 2008: France

If you know of other dates, please leave them in our comment section below, and we’ll update our list. Thanks.

NOTE: The Dreamwatch interview with Amanda Tapping, Tapping on the Gate, posted July 27, 2007, has apparently been removed by Dreamwatch from their website. (Former URL: http://www.dwscifi.com/articles/show/759?type_id=4&category_id=34)

[Thanks to the MGM Official Stargate website and Andreas of Repro Images for the images used in this article.]

MGM: "The Frozen Set"

Spoilers … Spoilers … Spoilers … and Spoilers….

MGM’s Official Stargate website has added another exclusive behind-the-scenes video of the making of Brad Wright’s Stargate: Continuum. This time, they are featuring the use of the gimballed frozen cargo hold set of the Achilles.

Visit MGM’s main page and click on “Watch Exclusive Video Now!” to see portions of the movie set in the frozen ship in the Arctic.

In the March/April issue of the Official Magazine, production designer James Robbins explained how they used the boat’s cargo hold set (the gimballed one) to film two days’ worth of scenes and then froze the set. “So now we have to treat the interior of the cargo hold, all the crates—we froze the stage. Literally! We brought in massive air conditioning units, hooked them up to the overhead pipes on the stage and took the temperature down to minus three or four degrees! Once you’re in there you can see your breath—it wasn’t the 40 below that they are saying it was [in the Arctic], but it was cold enough to see breath, so it was totally believable.”

The video clip features Brad Wright, director Martin Wood, and actors Amanda Tapping and Cliff Simon as they talk about how the set was gimballed and frozen and how it was to work on it. In some scenes, there was actual ice being touched by the actors just like the characters had to do.

Tapping and Shanks thaw out in the Vancouver sun

During the filming of the frozen set scenes, Stargate Atlantis executive producer Joseph Mallozzi captured pictures of Amanda Tapping, Michael Shanks, and Ben Browder as they filmed and then attempted to thaw out between takes.

They were shooting a scene from Continuum on stage 2 which had been refrigerated for the occasion. While Michael and Amanda were outside thawing out, Martin was setting up his next shot which required Ben to make his way through the dark and frozen ship with only a flashlight to lead him. I had goosebumps and I could barely keep my teeth from chattering. It was that creepy. And cold.

Release dates for the movie (DVD and Blu-ray) are as follows:

  • July 29, 2008: North America
  • August 6, 2008: Australia
  • August 18, 2008: UK
  • September 10, 2008: France

If you know of other dates, please leave them in our comment section below, and we’ll update our list. Thanks.

[Thanks to Joseph Mallozzi and Andreas of Repro Images for the images used in this article.]

MGM: Ask Brad Wright About "Continuum"

Ask Brad Wright at MGM

Just as they did with Robert C. Cooper, MGM’s Official Stargate website is offering fans the chance to ask Brad Wright questions about his upcoming SG-1 movie Stargate: Continuum. Go directly to the site to the Ask Brad Wright form and type in your question. MGM is taking your questions until July 1. Afterwards, they’ll publish the ten “best submissions” along with Wright’s answers (Cooper’s was done via video).

Wright: "Stargate Belongs on the Big Screen"

In Part 2 of his interview with MGM’s Official Stargate website, producer and writer Brad Wright talked about how he believes that his direct-to-video story Stargate: Continuum belongs on the big screen by discussing three major creative choices that he felt had a major impact on the feature-film quality of the movie: the building of a 1939 cargo ship by production designer James Robbins, the soundtrack written by composer Joel Goldsmith, and the film’s look and feel provided by director Martin Wood.

1939 Cargo Ship: The Achilles

Front of 1939 Cargo Ship Achilles (Continuum; picture by Joseph Mallozzi)

“We actually built the bridge and several decks of a 1939 cargo ship, and it looks pretty damn good on the screen,” Wright observed. “Rather than just doing a cargo hold, we did a gimballed cargo hold, and rather than just saying it’s cold, we refrigerated the set.

“I had originally thought that we could maybe find an old ship in the harbour that we could shoot the deck scenes in, and we would have to just build the bridge. But marine technology has gone so far that there just aren’t any ships around that have [that style] – wooden decks, wireless and portholes. Even the slightly newer ships have technology that would have had to have been swapped out, and it would have cost almost as much to refit an existing ship with 1939 level technology as it would to build one on the stage. It would have cost a fortune to shoot it on location and it might have even been dangerous. So, since we knew we had to build the cargo hold anyway, we decided to build the front of the ship, which was costly but it gave us a lot of fun.”

Joseph Mallozzi published the front set of the cargo ship, named Achilles, while it was being constructed in his personal blog back on May 21, 2007 (pictured above). Production designer James Robbins recently talked about designing and building the ship’s sets in an interview published in the March/April issue of the Official Magazine. “We did a lot of research looking into ships and what I thought would be the right kind of vessel. Actually, I worked backwards. I sat down one afternoon and did a rendering of the Achilles, just from the description — I know nothing about ships. Then I went out and looked at references to the period, and it was almost scary, because with the exception of a couple of details, my original rendering was so close to what we wound up filming, it kind of spooks me out!

Radio room on the Achilles (Continuum; image from set tour video)

“We did a lot of work and I had a very good team for the movies doing the measured drawings and whatnot, and they just really got into it. I mean, if you look at the radio room — it’s just in one scene — the operator gives the SOS, gets shot and falls on the equipment. It’s all exact period stuff. I have a photograph from 1922 of the interior of a radio room, and a picture of ours, and if you held them both up and you couldn’t tell which one is which!”

For a video tour of the Achilles set, including the radio room (the image above is a snapshot taken from the video), visit RTL2: Das Set von “Stargate Continuum”. (The website is in German, but the tour is in English. Click on “ton an” for audio.)

Exterior of gimballed cargo ship hold set (Continuum; image by Joseph Mallozzi)

Even though the gimballed set was built for Continuum, Stargate Atlantis fans got to see it first in the Season Four episode “Trio”. Mallozzi visited the set and liked it so much that the writers wrote the episode specifically so that they could use it. Visit his May 22, 2007, entry for details about his tour and a few pictures (one is included here).

Joel Goldsmith’s Movie Soundtrack

Wright spoke about composer Joel Goldsmith’s work for his movie with great enthusiasm. “I wasn’t going to do it because I didn’t think we were going to be able to afford it, and then when I heard the Ark of Truth score we found ways to make it happen. Honestly, Joel Goldsmith is so good. He elevates our work. It’s astounding. I listen to his soundtrack to Continuum in the car. I’ve already heard it a thousand times, but I love it so much I still listen to it! I got to drive down to Seattle and watch the orchestra perform it, and to see Joel and Nicholas, his conductor, at work, and obviously the performers. It makes you realize that our music is at the highest level. Joel could do a $100 million dollar feature without blinking in terms of the quality of his music.”

Goldsmith talked with SCI FI WIRE about his musical scores for the movies. “I could use a symphony orchestra rather than electronics that simulate an orchestra,” he explained. Goldsmith was able to draw upon the familiar themes from the many seasons of Stargate SG-1 and still give Continuum its own distinct sound. Having been with the production since the show’s debut in 1997, he appreciated the movie’s storyline. “It is a great, old-fashioned SG-1 film,” he told SCI FI WIRE. “It is more retro-Stargate, and, without giving away too much, it’s going back to some more things from the past.”

The Film

Wright told MGM that director Martin Wood was able to capture his vision perfectly in the movie. Like Goldsmith, Wood has been with the production since Season One. Wright said, “Martin and I have kind of developed this style together as director and producer, so I feel very connected with what he does. I feel very much a part of how he approaches a scene. I don’t go, ‘What the hell is that? I would never do it that way.’ I go, ‘That’s exactly how I wanted it,’ or more often, ‘It’s even better than I wanted.'”

Wright is proud of the work everyone did to make his story a reality. The resulting product, according to him, is something that could have been shown on the big screen. “I wanted to prove to MGM and to the rest of the world that Stargate belongs on the big screen. And I think we’ve done that.”

To read the rest of the interview with Wright, visit MGM: The Making of Continuum (Part 2).

Release dates for the movie (DVD and Blu-ray) are as follows:

  • July 29, 2008: North America
  • August 6, 2008: Australia
  • August 18, 2008: UK
  • September 10, 2008: France

If you know of other dates, please leave them in our comment section below, and we’ll update our list. Thanks.

[Thanks to Joseph Mallozzi and RTL2 for the images used in this article.]

"Continuum": "Air Force vs. Navy"

Final Cover Art for "Continuum" DVD

Visit MGM’s Official Stargate website for an exclusive video clip entitled “Air Force vs. Navy”, a look behind the two branches of the military that provided support to the making of Brad Wright’s Stargate: Continuum. There are clips from interviews, behind-the-scenes, and the actual movie, so beware of spoilers.

The two branches’ competitive nature was evident after the Air Force learned that the Navy offered the production access to film on board one of their nuclear submarines, the U.S.S. Alexandria, while it was up in the Arctic. Not wanting to be outclassed, the USAF “upped the ante” and provided two F-15s for filming.

To view the exclusive video, visit MGM’s Official Stargate Website and click on “watch exclusive video now” (you’ll need the latest version of Flash Player).

Release dates for the movie (DVD and Blu-ray) are as follows:

  • July 29, 2008: North America
  • August 6, 2008: Australia
  • August 18, 2008: UK
  • September 10, 2008: France

If you know of other dates, please leave them in our comment section below, and we’ll update our list. Thanks.

Wright: "Sometimes Change Makes a Script Better"

Brad Wright recently talked with MGM about the making of his movie Stargate: Continuum, soon to be released on DVD and Blu-ray on July 29 in North America. In the first of a multi-part interview, he related how cast availability forced him to make changes to the story and that these changes actually made the movie “better.”

Jack O'Neill in

Wright first explained about having Richard Dean Anderson return to play Jack O’Neill. “I didn’t know I had Rick,” he admitted. “Let me just say that there was a version of the script with him and a version of the script without him! I much preferred the version of the script with him, it was much more fun to do. There was also a version of the script with him just in the arctic scenes, which was a possibility.”

Qetesh is Ba'al's Queen

Concerning working with Claudia Black’s character in the alternate timeline, Wright stated, “I wasn’t going to use Vala as extensively as I did, and then Robert [Cooper] suggested a certain twist that makes her far more villainous and essential to the final part of the movie. It’s fun because this is a Qetesh that would have been different, even from the other timeline, because this is a Qetesh who was forced into marriage with Ba’al. Ba’al says, ‘I want you to be my queen’, which is a Goa’uld way of imposing servitude. But Qetesh is a Goa’uld, and obviously wants the power for herself.”

Daniel in pain in the Arctic (Continuum)

And finally, Wright addressed the changes made to the movie due to Michael Shanks’ absence during the Arctic shoot. “I actually wrote a version of the story with Daniel [staying on the ice] all the way,” he explained, “but as I was writing it I found out that I wasn’t going to have Michael for the arctic stuff, because he wasn’t going to be available. So I actually had to change the script to address how the Daniel character isn’t with the other two as they trek across the ice. I actually think it turned into two dramatic scenes, so I was quite happy for it. Sometimes change is good – sometimes change makes a script better.”

To read the full interview, visit MGM: The Making of Continuum (Part 1).

Release dates for the movie are as follows:

  • July 29, 2008: North America (DVD and Blu-ray)
  • August 6, 2008: Australia
  • August 18, 2008: UK
  • September 10, 2008: France

If you know of other dates, please leave them in our comment section below, and we’ll update our list. Thanks.

[Thanks to Andreas at Repro Images for the MGM Movie Stills. Thanks to julie for France’s release date.]

SCI FI WIRE: "Continuum" Made Character Suffer

Spoilers Ahead!

SCI FI WIRE‘s John Sullivan was one of the press who got to see a screening of Brad Wright’s Stargate: Continuum recently, and now he’s reporting his impressions from the movie. One such report zeroes in on the trials and tribulations of one Dr. Daniel Jackson.

Way back in August 2007, Michael Shanks did an interview with Dreamwatch’s Total Sci Fi about what happens to Daniel because Shanks wasn’t able to make the trip to the Arctic along with Ben Browder and Amanda Tapping. When Solutions originally reported the contents of that interview, we plastered the article with a “Massive Spoiler Warning”. So, if you don’t want to read more, turn back now!

Sullivan opens his report, “The upcoming straight-to-DVD movie Stargate: Continuum, based on SCI FI Channel’s original series Stargate SG-1, gave producers a chance to wreak havoc on a main character to serve the exigencies of the film’s location shooting. (Major spoilers ahead!)” … See, even he knows how massively spoilery his report is…

Details

Browder and Tapping filming in the Arctic

“Writer and executive producer Brad Wright told SCI FI Wire that the script called for Daniel Jackson (Michael Shanks) to lose a leg—but not simply to serve the writer’s whim. Rather, Jackson had to become disabled to meet the needs of the production, which shot several scenes in the Arctic, when Shanks was unavailable,” Sullivan reveals.

The movie’s crew went to the Arctic in late March 2007 to film scenes with the U.S. Navy’s nuclear submarine USS Alexandria. At the same time, Shanks was filming his three-episode arc in Fox’s hit TV show 24. Brad Wright had to rewrite the scenes that were supposed to include him on a wrecked ship in the Arctic and on the ice floes. “I knew I had to separate Carter and Mitchell from Daniel,” Wright told Sullivan. “But he was on the boat! I didn’t know what to do. I thought, ‘How do I keep him there?'”

Wright’s solution came after doing research on exposure. All members of the cast and crew who went to the Arctic were given plenty of training on how to survive the extremely cold temperatures of the Arctic Circle. In the story, when Daniel, Carter, and Mitchell end up on the frozen ship with the Stargate in the cargo hold, they weren’t dressed to suit the colder temperatures.

“I called Ben [Browder] to discuss the script, and he asked what I was going to do with Shanks,” Wright continued. “I told him I fixed it by having him step in the water, and he gets frostbite. He asked, ‘What happens next?’ I said, ‘We cut off his leg.’ He said, ‘Man, you are harsh!'”

Accommodating the Actor’s Absence

Daniel in pain in the Arctic (Continuum)

Rewriting the scenes was only the beginning of the response to Shanks’ absence from the Arctic shoot; there was a ripple effect of changes in costuming, props, and sets to explain Daniel’s separation and injury.

In the March/April issue of the Official Magazine, production designer James Robbins explained what he had to do in order to make Shanks’ studio-shot scenes fit with the rest of the footage taken on the submarine with the other actors. “We also had to build a wardroom for the submarine. When the guys went up to the Arctic, we shot some scenes on the sub, but not in the wardroom because Michael Shanks was unavailable at the time. So, during the off-season John Smith and Martin Wood flew down to San Diego and they got all these shots of the interior of the sub and the wardroom. Then from the photographs we were able to create a very convincing wardroom on the set. It married beautifully with the existing footage of Richard Dean Anderson in the real sub. He exits the set and we pick him up on the real sub from there. It’s seamless; it really worked beautifully.”

In addition to the wardroom, a portion of an ice floe was built to accommodate the separation of the three team members (see picture above of Shanks on that ice floe set). All of these changes were appreciated by Shanks, who told TV Guide’s Ileane Rudolf in an August 2007 interview, “We did end up building a frozen ship and part of an Arctic floe in a frozen soundstage in Vancouver. The temperatures in there were minus 7 (19 Fahrenheit) so we didn’t have to act that much because it was cold! As much as everybody raved about their Arctic experience, I was happy not to go, and happy that they brought the Arctic to me!”

Daniel being pushed in wheelchair (Continuum)

Wright and Wood adjusted subsequent scenes to temporarily confine Daniel to a wheelchair. Amazingly, Wright found the best possible way to say thank you to a very special person through this change. “Charlie [Cohen of MGM] is arguably the biggest Stargate SG-1 fan we have,” Wright told the Official Magazine. “I know this for a fact because long before he was actually in charge of the show directly, when he was in a different department at MGM, Hank Cohen, who was then president of the Television Division, would bring me by to talk with Charlie to get his opinion on what we were doing with the show. I was always astounded by his depth of understanding of the series. He has even been an extra in Stargate Atlantis and played a cameo, a small cameo, in Stargate: Continuum! That’s Charlie Cohen, our boss at MGM, pushing Daniel down the corridor in a wheelchair. He loved doing it, and it’s great that he’s part of it.”

The Actor’s Adjustment

Daniel in Continuum

Shanks told Dreamwatch, “I went, ‘Oh, this is great. It gives me something very different to play with the character, where he’s thrust back into a changed reality with a missing leg and is forced to live his life as a normal civilian.’ So we get to see more of a dark, bitter aspect of the character than we’ve seen before. … And then the psychology of what goes into that — To be told to live your life missing a leg, as a normal civilian, can lead you down a dark path. The character has always been so idealistic and optimistic about things, so we see him go to a darker, bitterer place.”

Obviously losing a leg will have an impact on the way Daniel moves, and Shanks shared with Dreamwatch how he approached this acting challenge. “My grandfather, who actually fought in World War II, had been missing a leg. He’s gone now, but as a kid, I remember thinking in terms of what he had to deal with on a daily basis. This was a really great opportunity to access those memories and bring some of that back.

“Of course, I worked on the walk. It was a little bit tough, but we got through it. It was nice to play that realistic scenario as opposed to using your imagination and wrapping your mind around this possibility.”

The Finished Product

Sullivan wrote in a previous report to SCI FI WIRE, Continuum Expands SG-1, that we’ll see many character moments in the movie, “The film includes a scene in which Carter goes shopping and Mitchell returns to a farm he visited as a boy. Wright said he couldn’t have gotten away with such character drama in an SG-1 episode.” And as far as Daniel’s character moments are concerned, they’ll be evident throughout most of the film.

The three time travelers of Continuum

Wright told the Official Magazine about Shanks’ handling of Daniel’s plight, “He thought it worked and he understood. Actors love playing things. That man has been doing Daniel Jackson for over ten years and to have another side to the character, another facet he just grabbed on to, and he colored his performance quite expertly. When you’re watching the movie, you are aware that he’s had this loss.”

And how permanent will this loss be? Wright has penned other SG-1 time-travel stories, including one, “2010”, in which all of the team members die in an alternate future (and he had the story idea for “Moebius” in which a time-traveling team dies in Ancient Egypt). “But it’s fun to watch your characters sacrifice themselves for what they believe in,” Wright told Sullivan, possibly hinting at Daniel’s fate in the altered timeline in Continuum. “There’s a nobility of the character, and that’s fun to do in a time-travel story, because you know you can get away with it, and it will be OK.”

To read Sullivan’s complete article, visit SCI FI WIRE: Continuum Made Character Suffer. There is an additional spoilery hint in the interview there, so beware.

Stargate: Continuum makes its premiere on DVD and Blu-ray on July 29, 2008, in North America.

[Thanks to Andreas of Repro Images for the MGM Movie Stills.]

Press Screens "Stargate: Continuum" in Vancouver

Final Cover Art for "Continuum" DVD

Members of the press were given a screening of Brad Wright’s Stargate: Continuum yesterday in Vancouver. SCI FI WIRE’s John Sullivan spoke with the movie’s writer after the screening and revealed some spoilers for the movie in his report.

Wright told Sullivan, “It’s much more fun in some ways to do a movie, because the story can evolve the way it’s supposed to. It doesn’t have to owe anything to the episode before or the episode after. That was the fun part, to actually write a movie and not just a long episode.”

Sullivan concludes the report, “With more time and more resources to work with, Wright and the producers and cast of Stargate: Continuum have taken their world and characters in new directions. They’ve also pushed the envelope for what the Stargate franchise can do as MGM considers whether to do more movies or create a third series.”

To read the complete interview, which contains the spoilers mentioned above, visit Continuum Expands SG-1.

Release dates for the movie are as follows:

  • July 29, 2008: North America (DVD and Blu-ray)
  • August 6, 2008: Australia
  • August 2008: UK

If you know of other dates, please leave them in our comment section below, and we’ll update our list. Thanks.

TV Shows On DVD Reveals "Final" "Continuum" Cover Art

TV Shows On DVD has posted the “final” version of the cover art for Brad Wright’s Stargate: Continuum. This version has the names of the main cast, plus a “Special Appearance by Richard Dean Anderson” line, at the top, and the tag line “History may never repeat itself again” from the rejected cover art at the bottom.

Here’s the DVD’s cover art (the Blu-ray’s is similar, see the image at the TV Shows On DVD website):

Final Cover Art for "Continuum" DVD

Release dates for the movie are as follows:

  • July 29, 2008: North America
  • August 2008: UK

If you know of other dates, please leave them in our comment section below, and we’ll update our list. Thanks.

Wright: Third Movie "an O'Neill Story"

Stargate‘s co-creator and executive producer Brad Wright recently talked with GateWorld about his next SG-1 movie script. “For me, an SG-1 movie should include O’Neill. That’s how I feel about Stargate. [The third Stargate movie] is an O’Neill story, and I would include as many of our cast as we could, both financially and in terms of availability.”

Richard Dean Anderson as Jack O'NeillActor availability is a concern for Wright in filming his movie, which he, along with Robert C. Cooper, has already pitched to MGM and to Richard Dean Anderson. “These are talented people,” Wright said in referring to all of the core cast members. “They may well not be available at our beck and call when the next time we want to make a movie. And that’s what happens.”

Considering the scheduling difficulties Cooper experienced with Julian Sands and Morena Baccarin in the filming of Stargate: The Ark of Truth (these two actors were only available for one day), Wright’s concerns are indeed understandable. Christopher Judge has written a movie script, Rage of Angels, that was recently bought by MGM, and he is set to star in it. Production company partner Michael Shanks is also involved with the movie and has been tapped to star as well. This movie script was originally written for television, but now has to be updated for the big screen. A pilot will also be produced to bring the story to series.

Amanda Tapping is one of the executive producers and stars of the new Sci Fi Channel show Sanctuary, which won’t complete filming until September 11 this year. Continuum director Martin Wood is also producing, writing, and directing the new show, but Wright hasn’t yet announced who will be the director of his new film.

Ben Browder is also writing and producing a new mini-series for the Sci Fi Channel, called Going Homer, and he recently expressed interest in the new webisodes for Farscape that will be shown on the SciFi.com website. Claudia Black has moved to LA and is actively seeking roles in network programs, the latest of which is her appearance in CBS’s Moonlight (see her episode this Friday, May 16, at 9:00 PM ET/PT). And veteran actor Beau Bridges is never out of work, his most recent project being the feature film Max Payne.

Despite being busy with all of these new projects, the core cast members have expressed on numerous occasions that they would gladly return to do more SG-1 movies. After the impressive sales figures for Stargate: The Ark of Truth, they feel that making more movies is a given.

Even with possible cast scheduling obstacles, Wright is optimistic, “But you know what? They have a good time when they come, and I think these guys had a good time making Continuum. Is it likely we’ll ever get them all again? That’s kind of unlikely just because of the math. But our core folks, I will move heaven and earth to get them if I can.”

NOTES:

  • Vote in our site poll about who of the core cast you’d like to see in “an O’Neill story” starring Richard Dean Anderson.
  • Please comment below, or visit our LJ Community or On-Site Forum for discussion.