SGA "Spoils of War": The War's Not Over

After the Atlantis Expedition, the Travelers, and the Wraith succeeded in blowing up Asuras, the Replicator homeworld, Sheppard spoke the sentiment that “all is right with the world” because he thought that the Replicators were gone and that the Wraith were back to being enemies. As viewers, we know that he was only half right, as we witnessed the beginning of the work of a faction of Replicators that survived the destruction of the others — led by none other than someone who appears to be Elizabeth Weir.

Wraith from SGA "Spoils of War"

But, concerning the Wraith, Sheppard was probably quite correct: they are once again enemies. And in tonight’s episode, “Spoils of War”, written by Alan McCullough, the Expedition finds an abandoned Wraith hive ship that could provide them important information in how to strike down their enemy. Sheppard’s “ally” Wraith returns, but how cooperative will he be once the two encounter each other this time under such circumstances?

Executive producer and co-showrunner Joseph Mallozzi told his readers in his personal blog that this episode offers “promising wraithy revelations” as we witness a Wraith birth and see the difference between the male Wraith and the masked drones. Mallozzi said, “I’m so glad I ate my breakfast before sitting down to watch that wraith birthing scene,” and “So what is the difference between the silent masked wraiths and the chatty ones? Ohhhhhhh, I see.”

Mallozzi also said that things will develop for Teyla in this episode. As soon as Sheppard knew that she was pregnant, he pulled her off of active duty. Teyla believes that she is of more use going through the ‘Gate, and in tonight’s episode, more “fireworks” fly as she and Sheppard debate the issue.

Tune in tonight at 10pm Eastern on the Sci Fi Channel to find out what will happen when Sheppard’s team renews their war against the Wraith, and after watching, please visit our on-site forum to rate and discuss the episode.

Spoiler Preview Videos:

'Atlantis' Returns Tonight with a Bang!

More than just a bang, but several booms and stuff blowing up await fans as Stargate Atlantis returns to the Sci Fi Channel at 10pm Eastern tonight! Executive producer and co-showrunner Joseph Mallozzi said of tonight’s episode, “Be All My Sins Remember’d”, “This one boasts the greatest visual effects sequences the show has ever done. Mark [Savela] is going to be hard-pressed to top this one.”

Savela, the show’s visual effects supervisor, talked with Sharon Gosling at the Official MGM website about the work his team did in preparing these sequences. The team at Image Engine in Vancouver actually used models to produce a three- to three-and-a-half-minute space battle, the culmination of the Wraith-Replicator-Human war in the Pegasus Galaxy. But in the final edit, the battle lasts much longer. Savela explained, “It’s a fun eight minutes of the show, with the VFX intercut between the scenes that are on the planet’s surface.”

Mitch Pileggi as Col. Steven Caldwell on the bridge of his ship, the Daedalus

Representing Earth in the battle are the Daedalus and Apollo starships, with their commanders playing major roles in the outcome. Mitch Pileggi returns after a long absence as Col. Steven Caldwell, commander of the Daedalus. Both his ship and Col. Abe Ellis’s Apollo have been upgraded with the Asgard-based weapons that were installed on their sister ship, the Odyssey, by the Asgard as seen in Stargate SG-1‘s series finale, “Unending”. Can these upgrades successfully go up against the Asurans’ powerful Aurora class ships?

Jill Wagner and Larrin and Joe Flanigan as Lt. Col. John Sheppard in SGA 4.11 "Be All My Sins Remember

And speaking of Aurora class ships, the Travelers’ leader Larrin reenters Sheppard’s life, and apparently makes him even more miserable. But, later, she joins the leaders around the conference table in a scene about which Mallozzi said, “Can’t say enough about the convening of the war council scene.”

The ultimate goal of combining the efforts of the humans and the Wraith are to see an end to the Replicators. How close are McKay and the Wraith scientist (known as “Todd”) to coming up with the shutdown code? Will the agreements made in the war council last beyond the battle? And, will this really mean the end for the Replicators? Tune in tonight to find out, and after viewing, please join our on-site forum to rate and discuss the episode.

Preview Spoiler Videos:

SGA "This Mortal Coil": Things Aren't What They Seem

Weir and Sheppard in SGA 4.10 "This Mortal Coil"?

Tonight’s episode of Stargate Atlantis, “This Mortal Coil”, is the mid-season finale. Written by Joseph Mallozzi (and Paul Mullie) and directed by William Waring, the episode also marks the return of Torri Higginson as Elizabeth Weir as the Replicators find Atlantis … or do they?

Mallozzi explains this rather cryptic summary of the episode a bit to TV Zone Magazine (special issue #79, November 2007): “When this episode, which is the first of a two parter, opens, the Atlantis gate has been inoperative for three days and for some reason our people can’t get it working again. An Ancient drone then crashes into the city and they’re like ‘Where did that come from?’ When our heroes start to investigate the drone, they begin to notice that other Atlantis personnel, including Zelenka, Keller and [Lorne], are acting strangely. I don’t want to give too much away, but, again, things aren’t what they seem.”

The mystery is supposed to unfold from there. Those who have viewed the previews given by MGM and the Sci Fi Channel have been able to piece some of that mystery together, and if you’re one of the fans who has seen the incredibly detailed spoilers on another fan website, even more of the pieces are there for the taking. But don’t let what you see and read be too misleading. As a matter of fact, the plot still relies heavily on taking what is known and trying not to misinterpret the clues, just like the team had to do in “The Seer” when given some very intense, seemingly obvious, visions of the future.

“It was a script that required a lot of rethinking, re-ordering, and dialogue massaging to present a complex story in as concise, informative, and entertaining a way as possible. It was hell, but there are some very touching character moments that I thought turned out very nicely,” Mallozzi explained in his personal blog when asked why this episode had been so hard for him to write after he had shared about his agony with his readers during the writing process.

Ronon and Teyla in SGA 4.10 "This Mortal Coil"?

Adding even more to the mystery and the cliffhanger, Mallozzi teased his readers during the production of the episodes with, “No major construction for The Seer, but we will marry some of the exterior scenes from this episode to the This Mortal Coil shoot. James [Robbins, Production Designer] and Tom [Wells, Supervising Art Director] also pitch out how they’d like to pull off the ‘horrific reveal’ at script’s end. I love it!”

Thankfully, fans will not have to wait too long (like last season’s incredibly long hiatus) to find out what the implications of this “horrific reveal” are, since Stargate Atlantis will return to the Sci Fi Channel on Friday, January 4, at 10pm Eastern with “Be All My Sins Remember’d”. Until that time, viewers will have to wait and speculate on how the pieces of the mystery fit together and still keep in mind that “things aren’t what they seem.”

After viewing tonight’s episode, please visit our on-site forum to rate and discuss it.

Spoiler Previews:

SGA "Miller's Crossing": Consequences Hit Home

The last episode of Stargate Atlantis, “The Seer”, presented the Atlantis Expedition with some of the dire consequences of their actions, and laid a heavy burden on the decision makers by allowing them a glimpse of a possibily catastrophic immediate future. It’s hard to predict what brings that ill-fated future to fruition, but Dr. Rodney McKay realized that his personal actions had more of an effect than he ever realized at the time he made his decision to reactivate both the nanites in Elizabeth Weir and the Wraith attack commands in the Pegasus Replicators.

Kate Hewlett as Jeanie Miller (SGA 4.09 "Miller

Even with this lesson, in tonight’s episode, “Miller’s Crossing”, written by Martin Gero, Rodney contacts his sister Jeanie to help with the programming of the nanite technology, and it is because of her involvement that she gets kidnapped from her very own bed in her home in Vancouver.

Henry Wallace wants to save his daughter from a fatal disease. He’s aware of the McKays’ e-mail correspondence concerning the alien nanite technology through his position in a medical technology firm contracted by the government and sees that Jeanie has a better grasp on the healing capabilities of the technology than Rodney. But, getting both McKays to work together is a bonus, as he takes his opportunity to capture Rodney as Rodney attempts to rescue his sister. This situation once again reminds Rodney that his actions have far-reaching consequences that even he could never have begun to calculate.

Steven Culp as Henry Wallace (SGA 4.09 "Miller

“Miller’s Crossing” is not only about nanite technology, but chemistry, according to script coordinator Alex Levine in his scifi.com blog. The chemistry to which he was referring had to do with that between actors: “The character Henry Wallace is played by Stephen [sic] Culp of Desperate Housewives fame. According to David Hewlett, Culp and Kate Hewlett (David’s real and on-screen sister) have great chemistry, great repartee. And I concur. It’s a fast paced episode which you’ll enjoy. I also love seeing David and Kate work together. You get the feeling their real life relationship is a lot like what we’re seeing (whether it actually is or not!).”

Even executive producer Joseph Mallozzi identified this episode as having “that incredibly angsty McKay-Sheppard scene” in his personal blog, so it is possible that more actor chemistry will be evident tonight. But why is McKay so angsty? Fan speculation has that Jeanie meets an untimely death, to which Mallozzi responded, “No comment.” Tune in tonight at 10pm Eastern on the Sci Fi Channel to find how far the consequences go.

After viewing the episode, please visit our on-site forum to rate and discuss the episode.

Spoiler previews:

SGA "The Seer": Is the Future What You Make It?

If someone who has never been wrong in his visions of the future shows you something devastating is about to happen, what would you do? How you react to avoid it could actually make the vision come true, or you might have interpreted it wrong to start. Is it better to not have known at all?

These questions and more await Col. Samantha Carter in tonight’s Stargate Atlantis episode, “The Seer”, written by Alan McCullough and directed by Andy Mikita. In Teyla’s search for her missing people, the Athosians, the team meets a new race, the Vadeenans, whose leader Davos gives Carter a look into a possibly dangerous immediate future.

Woolsey evaluates Carter in "The Seer"

Executive producer Joseph Mallozzi explained more about Carter’s situation in an MSN TV Blog interview: “It’s a bit of a bumpy road for her, especially in an episode later on called “The Seer.” It’s an episode that explores her command decision. It forces her to step up and assume that command role in a big way under the scrutiny of Richard Woolsey, who happens to be there while all this is happening. He’s there to review her three-month stay as commander, so there’s added pressure.”

This is not the first time that Carter has encountered someone who has predicted a future event that actually came true. Her former SG-1 teammate Jonas Quinn had several visions after he was genetically altered by the Goa’uld Nirrti in an Ancient DNA manipulation device (“Prophecy”). One of his more intense visions included Carter in a medical emergency. Thinking that she got hit by a staff weapon blast, he urged her not to go on the next mission through the Stargate. SG-1 leader Col. Jack O’Neill agreed to keep Carter out of the mission, so she decided to help with the power generators on the base. She ended up getting injured just as Jonas had foreseen, but his interpretation of the cause of her injury was in error. The team’s reaction to the prophecy was what made it come true.

Dr. Keller treats the ailing Davos in "The Seer"

A similar thing happens with Dr. Rodney McKay in tonight’s episode when he misinterprets the vision that Davos gave to him. Even though the events unfolded exactly as Davos had described, their meaning ultimately was different than what McKay thought. The ailing Davos’s visions are not lengthy, so there is plenty of room for misinterpretion. But the vision given to Carter makes her believe that it cannot be misinterpreted, so she asks Davos more questions about his past predictions, and he tells her that he has never been wrong. Carter tells him that she has always believed that the future is what you make it. Davos warns her that the galaxy is at a crossroad and that the future of many worlds depends on the actions of a few. “And all of it is centered here, in this place,” he concludes about the City of the Ancestors, Atlantis.

Atlantis is visited by Sheppard

The episode “sets some really unexpected wheels in motion. All I can say without giving too much away is that we’re planting some interesting seeds that will emerge, and it gives this season’s plots a twist in a very clever way,” Joe Flanigan told Starburst while they visited him during the episode’s filming. These interesting seeds include the Asuran-Wraith war for which the Expedition is responsible and the reunion of Sheppard with his Wraith “ally” from the time they were both imprisoned by the Genii Kolya (“Common Ground”). This Wraith (his nickname among the producers is “Todd”) claims to have the original virus that the Wraith used to override the Asurans’ programming thousands of years ago. Why would he think that Sheppard and McKay will help him turn off the attack since they were ones to have started it up once again? And what’s even worse, another Wraith hive ship is approaching, and Carter sends Sheppard to the chair room to prepare for an attack. Can “Todd” be trusted?

“The Seer” also addresses the mystery surrounding the disappearance of Teyla’s people from last week’s episode, “Missing”. Davos tells Teyla that her people are still alive, but are shrouded in darkness. He warns her that she may not like what she finds.

Rachel Luttrell as Teyla Emmagan in "Stargate Atlantis"

Additional personal hardship for Teyla also awaits as she reveals that she is pregnant. Rachel Luttrell told SCI FI WIRE, “She is going to be faced with taking care of someone who may be the last of her kind. There are so many interesting colors that are now coming out.”

“For instance, the fact that she was pregnant,” continued Mallozzi in his interview, “it’s something she’s afraid of revealing to the rest of the team, because she’s afraid of how they’re going to react and whether they’ll still want her on the team. When she finally comes forward and reveals it, I can tell you some are happy and one is not very happy to find that basically she’d been keeping it a secret from him that long. So it strains relationships in that respect as well.

“What we set out to do in Season Four is untidy things a bit and strain relationships a bit and just see where we can go with that.” The strain begins tonight at 10pm Eastern on the Sci Fi Channel (re-airs at midnight). After viewing, please visit our on-site forum to rate and discuss the episode.

Spoiler previews:

SGA "Missing": An Action-Packed Character Study

Tonight’s episode of Stargate Atlantis, “Missing”, was written by Carl Binder and directed by Andy Mikita. Script coordinator Alex Levine wrote in his scifi.com blog, “Missing is almost a two-hander, as Teyla and the good doctor Jennifer Keller dominate the screen time. But really, it’s an action packed character study of two strong women in a terrible situation. Personally, it’s the character stuff that interests me the most, although I’m also a sucker for big special effects sequences. But when you get to watch a new character, like Keller, go through events that really bring out what she’s made of, that’s when it gets exciting for me. And I think, also, that the character stuff is why people tune in week in and week out.”

Dr. Jennifer Keller out of her comfort zone in "Missing"

Executive producer and co-showrunner Joseph Mallozzi talked with MSN TV Blog about Dr. Jennifer Keller: “She really is the fish out of water, and we really explore that in the episode called “Missing”. She goes off to New Athos with Teyla just to do some checkups on some local Athosian kids and things go horribly awry. Her idea of roughing it was the summer camp she used to attend as a kid. She finds herself on the run for her life, kind of a city girl in the back country with only Teyla there to protect her. Teyla has her hands full with her and is a little impatient with her. I think this episode is our Thelma and Louise episode, if you could call it that. So that’s a fun episode that explores the character. She’s obviously well-educated, she’s young, very capable, but at the same time a little naive just in terms of her expectations regarding the Pegasus galaxy. She’s an interesting character that we get to know more of in “Missing,” and then we explore a lot more in the back half of Season Four.”

Dr. Jennifer Keller dangles from a rope bridge in "Missing"

Mallozzi told a behind-the-scenes tale in his personal blog about how Jewel Staite, who plays Keller, braved crossing a rope bridge built especially for the episode. “Director Andy Mikita assured her that he wouldn’t need much from her. He would yell ‘Action!’ and she would start walking across the scary-as-hell bridge – maybe two or three steps – at which point he would yell ‘Cut!’ and she could turn around and head back to the relative safety of solid ground. Jewel was game. So Andy yelled ‘Action!’ and Jewel started walking. And walking. And waiting for someone to yell ‘Cut!’. And walking. And walking…past the halfway point of the bridge. What a trooper. Apparently, heights aren’t a problem for Jewel as she performed most of the rope bridge stunts herself including the…well, I don’t want to give it away. Check out [the] episode and watch for this memorable sequence.” This memorable sequence might be where Keller ends up dangling from the bridge as seen in the previews put together by MGM and Sci Fi (look for links at the end of this article).

A tribesman of the Bola Kai in "Missing"

Keller is accompanying Teyla to New Athos to treat the Athosians, just like Dr. Carson Beckett used to do. She’s not comfortable with going off-world, and is especially uneasy because Beckett’s shoes are incredibly big to fill. Still, she packs her medical supplies and lots of lollipops for the kids. Immediately upon arrival at the village, Teyla senses something is wrong. Her people are missing, and in their stead, they encounter the primitive tribesmen of the Bola Kai, a new villain met by the Expedition in the Pegasus Galaxy. And according to Levine, they’re “pretty cool” when he added to “look for the lollipop shot, you’ll know what I mean when you see it.”

Levine wrote, “Carl [Binder, writer] said the genesis of the story was that he wanted to take some of our characters and isolate them from their technology, so it’s basically a survivor scenario.” In this environment, we’ll see the warrior side of Teyla emerge. Mallozzi said in the MSN TV Blog interview, “You see the true warrior come out. We’ve seen the noble warrior, the leader, sort of the forthright, clear-minded, powerful role model if you will that we’ve established in previous seasons. One of the things we set out to do in Season Four is say, ‘Well let’s see the dark side of that.’ Because as a warrior, she kills people. We demonstrate Teyla as an individual, where she’s a warrior who makes use of her skills, but when it’s life or death, she has to make decisions that are shocking.

Teyla fights against tribesmen of the Bola Kai in "Missing"

“We’ve got this one sequence where she takes on a bunch of warriors, she kills a bunch of them and one takes off. She chases him down and kills him. And Dr. Keller is horrified. [Teyla]’s like, ‘This is reality. If he gets away to his band, he’ll give us up. I had no choice but to kill him.’ That’s an aspect of the Teyla character that we wouldn’t have seen the first two or three years but is a reality if she were in that scenario. If she were in that scenario, that’s exactly what she would do. It was an opportunity to see a bit of the darker side of her and some of the other characters as well.”

Levine did say this episode was “action-packed”, and to attest to this, viewers will see the fighting side of Teyla’s nature come on full force. Those interested in the behind-the-scenes production process of Stargate may be interested in visiting the MGM site to view the featurette “Anatomy of a Fight” wherein stunt and fight coordinator James “BamBam” Bamford takes the viewer through the step-by-step process of filming a fight scene for this episode.

Teyla looks for her people in "Missing"

Mallozzi added in his personal blog, “It’s an episode that explores the darker facet of Teyla’s warrior persona, and also sets up one of this season’s major story arcs.” Witness the beginning of this arc by tuning in tonight at 10pm Eastern on the Sci Fi Channel. Take note that the schedule is still a bit off as Battlestar Galactica: Razor “flashback” scenes are being shown during Flash Gordon. Also, take note that although the scifi.com schedulebot doesn’t reflect a change in Sci Fi Friday’s line-up, TV Guide has listed that Flash Gordon has been moved to 8pm, with a repeat of last week’s Atlantis episode, “Tabula Rasa”, at 9pm.

After viewing the episode, please visit our on-site forum to cast your vote and to discuss the episode.

Spoiler videos:

SGA "Tabula Rasa": Who Are You?

After Botanist Katie Brown and her team return to Atlantis from gathering specimens from their new homeworld’s mainland, things go terribly wrong. It starts innocent enough — with a headache and perhaps a bit of dizziness — but soon the entire base deteriotes into chaos: memories are disappearing. What’s worse, Expedition members seem to develop paranoia and resort to violence against one another.

Major Lorne holds weapon against Expedition members in "Tabula Rasa"

Tonight’s episode of Stargate Atlantis, “Tabula Rasa”, written by Alan McCullough, examines the inner workings of the Expedition’s members when they suddenly lose memories of who they are. Is what remains something expected or surprising?

There are two major storytelling features that executive producer and co-showrunner Joseph Mallozzi and script coordinator Alex Levine associated with this episode: its fabulous teaser and its extraordinary cinematography. Mallozzi wrote in his personal blog, “This week’s installment, Tabula Rasa, is one of my favorites of the first half, a wonderfully freaky entry that offers up a truly WTF (?!) tease. It’s also one of the most unique-looking episodes we’ve done.”

Dr. Rodney McKay in "Tabula Rasa"

The teaser throws the viewer into the middle of the turmoil, with Dr. Rodney McKay bound to his chair with no memory of who he is or where he is, and he doesn’t know anyone else. How did he get into this situation? Levine explained in his scifi.com blog that it is the method of storytelling that will draw the viewer into McKay’s plight. “It’s also a cutting edge visual story. As you will see, the story isn’t told chronologically. It takes place in flashbacks and in the present, and it cuts back and forth quite regularly. So they decided to “treat” the cinematic look of the present day story line to differentiate it. You’ll find it’s quite “pushed”, meaning desaturated and high contrast. I love that look personally. I think you will too. Jim Menard, the DOP [Director of Photography], did a terrific job (it was actually done in camera, not as a post-effect).”

There has been another Stargate episode that told this type of visual story, using a similar “pushed” look: SG-1‘s Season Six episode “Paradise Lost”. The viewer gets drawn into the effects of the paranoia of Col. Jack O’Neill and Col. Harry Maybourne as they are stranded together on a moon with a narcotic “arugula” plant they have eaten. At first they are trying to survive together, but the effects of the plant turn them against each other. O’Neill even manages to shoot Harry, something he had wanted to do ever since the two men met. Created with the use of bleach bypass and digital manipulation in post-production, the desaturated and high-contrast images draw the viewer into O’Neill’s point of view as he tries, through his addiction, to solve the mystery of their behavior by examining the clues left behind by the dead bodies in and about their camp.

In “Tabula Rasa”, McKay himself is both leaving the clues and trying to solve the mystery to save his friends and co-workers, all while he loses the ability to remember his previous actions and conclusions. Amazingly, through this challenge, he discovers that someone named Teyla may hold the key to their very survival — if only he can remember to find her.

Tune in to Sci Fi Channel tonight at 10pm Eastern to watch the mystery unfold (re-airs at midnight). If you are recording the episode, please keep in mind that the show is running about two minutes late because Battlestar Galactica: Razor “flashback” scenes are being shown during the show’s lead-in Flash Gordon (the midnight showing might be offset by as much as four or five minutes). After viewing, please visit our on-site forum to cast your vote and discuss the episode.

Spoiler preview videos:

SGA "Travelers": Friend or Foe?

Sheppard and Larrin kiss in 4.05

Tonight’s episode of Stargate Atlantis, “Travelers”, tells a classic story of boy meets girl, but with a bit of a twist: this isn’t your ordinary boy and this certainly isn’t your ordinary girl. Her name is Larrin and she’s the leader of her people, the Travelers.

“We introduced a new race called the Travelers just because we wanted to introduce a technologically advanced [race] to the Pegasus galaxy,” writer Joseph Mallozzi told MSN TV Blog. “It was something that was a little difficult to do because the Wraith tend to destroy technologically advanced races. So we created this race that are nomadic and live on ships, so they’re never in one place long enough for the Wraith to catch up with them. What they essentially do is they travel from planet to planet that has been recently culled and they scavenge the technology that has been left behind and they use it to upgrade their ships.

“This race is a loose cannon. On the one hand, they’re on the run from the Wraith. So obviously they’re no friend to the Wraith. But on the other hand, they are on the lookout for new technology. So they take a particular interest in Atlantis and Sheppard in particular […] He’s on his way back to Atlantis in a puddle jumper and his puddle jumper gets ambushed. The fact that he has the Ancient gene is of particular interest to them because there’s plenty of Ancient technology in the Pegasus galaxy and he could prove useful.”

How useful? Larrin, played by Jill Wagner (see Solutions Blog casting story), wants Sheppard to cooperate in bringing an Ancient warship, similar to an Aurora class, back to life, so that its advanced technology can be used by her people and against the Wraith. While Sheppard is her prisoner, Larrin uses all types of pursuasion, including opening her ship’s cargo bay doors right under his feet — basically suspending him and his Puddle Jumper over the vastness and the vacuum of space with only the ship’s shield as an invisible barrier. But, he gets a bird’s eye view of the Ancient ship and then the adventure really gets going. (Fans can see a preview of this scene at Yahoo TV – video #66, “Sheppard is caught in a compromising position”).

Larrin of the Travelers

“How can I describe her?” Mallozzi continued, “A lot of the fans who have heard about her have compared her to Vala. I guess in some respects she is Vala-esque in that she’s a loose cannon and independent. But she’s a lot more grounded, a lot more no-nonsense, not as flighty as Vala. She’s not a thief. She’s the leader of her people. ‘A tough cookie’ would be a good way to describe her.”

Joe Flanigan spoke to Starburst about how much of ‘a tough cookie’ Larrin is. “I wanted to have a strong female character that was difficult for us to get a handle on, but who Sheppard had to rely on for his own strategic ends. So Joe Mallozzi and Paul Mullie wrote Travelers, which introduces a character who I think is going to become incredibly popular on the show. Her name is Larrin and she’s this very sexy woman who kidnaps my character, beats the c**p out of him, then he beats the c**p out of her. They need each other and have to learn how to deal with one another.”

Get introduced to Larrin and her people tonight at 10pm Eastern on the Sci Fi Channel (repeats at midnight). Those recording the episode need to set their timers to go over because the episode is running about two minutes late (i.e., 10:02-11:02pm), because “flashback” scenes for Battlestar Galactica: Razor are being shown during the lead-in show Flash Gordon. (The midnight airing could be offset by as much as five minutes). Once you’ve watched, please visit our on-site forum to cast your vote and discuss the episode.

SGA "Doppelganger" Feeds on Fear

Sheppard in SGA "Doppelganger"

Tonight’s episode of Stargate Atlantis is “Doppelganger”, written and directed by Robert C. Cooper. In this story, the Atlantis Expedition suffers from nightmares with Sheppard as the antagonist after he touches a crystalline structure harboring an evil, psychopathic entity.

Script coordinator Alex Levine gave the background behind the story in his scifi.com blog. “When he [Robert Cooper] was a little boy (maybe too little?), his Dad took him to see JAWS, and it had a big effect on him. He was lying there in bed that night, probably scared out of his wits, and thought to himself that some day he wanted to control the power that gripped him the way JAWS did. So that’s why he decided to become a filmmaker. And now he’s turned that power on you people in Doppelganger, a story about nightmares and people’s fear of dreams.”

Cooper digs deep into Stargate SG-1‘s rich ten-year mythology to put his story together. He told Gateworld, “O’Neill went out, touched a crystal and all this stuff happened [1.07 “Cold Lazarus”]. We’ve never done that again. And I thought, ‘Well, wouldn’t it be interesting if we found another crystalline life-form like that.’ But in that case we were kind of lucky that it had reasonably good intentions. There was a sinister aspect to it in that we didn’t know what was going on, but at the end of the day it was kind of just curious. So I took the flip side of that and said, ‘What if it’s a psychopath? What if it’s truly evil?’ And it enduces some pretty freaky nightmares. […] What would our characters dream about? The fun part of the episode is, because it’s Sheppard that initially engages and touches the crystal, and thus unleashes the entity on everyone, the physical form it takes in the nightmares is Sheppard. And so everyone is having these nightmares that are being pulled out of them by the entity, but Sheppard is appearing in those dreams as the sort of negative [inciting] force.”

“Doppleganger” was the first episode to be filmed so that Cooper could move on to the production of the first SG-1 movie, Stargate: The Ark of Truth, which he also wrote and directed. Although it was first to be filmed, it is fourth to be aired, and that presented some interesting challenges. Levine explained, “For example, Carter is settled and in charge of Atlantis now, but Rob and the actors had to sort of guess at how the relationships between her and the other team members would have evolved by this point in time. I think they had some scripts to read, but not all. And even so, things can change from the page to the screen. They also had to think of practical concerns. For example, what’s her office look like now? That sort of thing. So that was a challenge.”

The out-of-airing-order production of the episode also had another effect: somehow iTunes released this episode under the title “Adrift” (the actual first episode to air) for the fans to download! The mistake was soon corrected, but not before several people got an advanced viewing! It remains to be seen if this premature release will affect the live ratings tonight.

Lorne confronts Sheppard in "Doppleganger"

Within the storytelling itself were the challenges of not giving away the twists and turns too soon. Levine related, “Rob also told me he found some conflicts between his two roles as writer and director. For example, as a director, he was excited because he thought he would have many opportunities to use interesting camera techniques in the dream sequences. But then he discovered that, in order to maintain the story, he has to keep the audience guessing as to what is a dream and what isn’t. Apparently the technical term for that is a “goof”. So he wasn’t able to go crazy, using wide lenses and making it look very surreal, or else that would tip the goof too soon and the audience wouldn’t be fooled.” Levine then offered a hint as to how to tell the Sheppards apart (read his blog to find out).

In portraying both Sheppard and his doppelganger, Joe Flanigan offered in a Starburst interview, “It’s really important that there’s a distinction between your character and its twin, but in this case it was tricky because for the first two-thirds of Doppelganger you can’t tell which Sheppard is which. It had to be a gradual distinction between the real one and his twin until the latter evolves into complete evil. It was a little complicated, though, because we didn’t quite have all the scenes written in order to qualify the transition. So it was a fairly abrupt evolution from subtle differences to glaring differences.”

Executive producer and co-showrunner Joseph Mallozzi told fans in his personal blog that this episode includes “a Sheppard beat-down to beat all Sheppard beat-downs.” According to Levine, “In fact, this was the first episode that we used a 3D flying rig for stunts. And the stunt in which Sheppard is kicked off the balcony — well that’s really Sheppard. Joe Flanigan did his own stunt there.”

Tune in tonight at 10pm Eastern on the Sci Fi Channel for the premiere of “Doppelganger” (repeats at midnight). If you are recording the episode, keep in mind that lead-in show Flash Gordon will be running over for about two minutes because “flashback” scenes are being shown for Battlestar Galactica: Razor (the midnight showing might be as far behind as four to five minutes).

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